I’m an Emmy Award winning editor with 20+ years of experience turning complex material into clear, emotionally compelling stories that hold audiences from first frame to final cut.
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I specialize in shaping narrative, refining character arcs, sharpening pacing, and finding the emotional throughline that makes a story land. Whether the material is sprawling, sensitive, or still taking shape, I bring structure, clarity, and momentum that elevate the final piece.
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My work spans documentary, scripted, and unscripted programming for PBS, FX/Hulu, CNN, Peacock, National Geographic, Showtime, and Discovery+. I’m a trusted collaborator to directors and producers, known for transforming raw footage into cohesive, engaging storytelling that resonates.
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While my foundation is in long-form television, I bring the same narrative precision to short-form work, crafting promos, digital content, and branded pieces that capture attention quickly and leave a lasting impact.
THE NEW YORK TIMES PRESENTS: ELON MUSK'S CRASH COURSE
Turning a technically dense, legally sensitive investigation piece into a clear, suspenseful narrative took shaping the film’s storytelling from a curious outsider’s perspective, building a structure that makes technical information accessible, while creating an ongoing sense of tension. The result is a rigorous, character-driven investigation that keeps the audience engaged while navigating complicated, high-stakes material
FRONTLINE: THE ASTROS EDGE
Shaping a compelling narrative out of a scandal this complex (and this scrutinized) took weaving first-hand accounts, archival material, and reporting into a story that balances clarity, tension, and perspective. By anchoring the story in character and controlling the flow of information, the result is a tightly constructed, emotionally engaging drama that captures not just what happened,
but why it mattered.
BOBCAT GOLDTHWAIT'S MISFITS AND MONSTERS
Blending live action, animation, and heavy graphic elements into a surreal but cohesive episode took unifying multiple visual formats into a seamless narrative. The fun was in balancing comedy with mounting psychological tension. The edit carefully controls pacing and perspective to keep the story grounded and escalating, without losing clarity, tone, or both.
HITLER: THE LOST TAPES OF THE THIRD REICH
Telling a story this well-known in a new way required an original narrative structure that could encompass a vast timeline.
The dramatic arc integrates newly released first-person recordings with archival footage, crafting an historical investigation
that feels like breaking news. The edit maintains tension and forward drive, turning dense material into an engaging experience.
DONNY! FOXY AT FIFTY
This edit required shaping a distinct comedic voice around the persona of Donny Deutsch, balancing scripted humor with industry satire. By controlling pace, timing and sharp tonal shifts, the edit keeps the character grounded but the humor surprising, turning what could feel fragmented into a cohesive and hilarious throughline.
THE WEEKLY: v. JOHNSON & JOHNSON
Turning decades of corporate documents as well as complicated legal reporting, interviews, and archival material into a clear, compelling story demanded a rock-solid editorial structure. By imposing narrative drive on dense material, the edit transforms a document-heavy investigation into an engaging, high-stakes story.
THE NEW YORK TIMES PRESENTS: MOVE FAST AND VAPE THINGS
Structuring the complex story of a juggernaut start-up’s rapid growth alongside mounting consequences - while interweaving business, culture, and public health story arcs - took rigorous editorial control. By balancing competing narratives and maintaining forward momentum, the edit turns a multifaceted story into a clear, engaging, high-stakes investigation.
ROAD TO 9/11
This three-part documentary integrates archival footage, reporting, and rare interviews, including with Osama bin Laden, into a revealing and gripping narrative. Reframing one of the most widely examined events in modern history took an airtight editorial structure that kept a constant eye on maintaining clarity, depth, and narrative momentum, while upending preconceptions.
SMALL TOWN SECURITY
This unscripted series follows the eccentric staff of a rural Georgia security company, shaping documentary-style footage into tightly structured, character-driven comedy. By controlling pacing, reactions, and rhythm, the edit turns raw material into a consistent comedic voice, balancing authenticity with timing that lands.